I’m sure there are writers who don’t find writing to be a bone-crushing, nausea-inducing festival of self-loathing. I just don’t happen to be one of them. Faced with a blank screen, I am invariably seized with the overwhelming desire to clean out my garage, give myself a root canal -- do anything other than write.
The problem seems to be standards. I have some. And I’m terrified I can’t live up to them. Does that sound familiar? I’ve found that to avoid paralysis, I have to begin by telling myself, “Don’t write, just type.”
Because once the story is out there, even in a horrifyingly inarticulate form, the real work can begin. I can see where the words are working, and where they’re not. The ideas that should be in the piece, but aren’t, speak loudly with their silence. The awkward phrases swell up and stink. The good ones hum.
This is the fun part, especially when someone else has done the miserably hard work of writing the first draft. It’s why I’m a good editor, and why I love editing.
And that’s why I can help you, as I’ve helped innumerable writers over 25 years as an author and editor of Pulitzer Prize winning journalism and best-selling books. I’ve worked with some of the biggest names in journalism and fiction, but I’ve also worked with hundreds of regular folks who have never published a word, but had a compelling story to tell. In the end, the most powerful thing I’ve learned is this: it is always about the story.
So if you have one you want to improve, or are struggling to tell, click the contact button above, and let the fun begin.
I guess I’ll actually have to write it now. Thanks to this nice little piece in the Webster City Daily Freeman-Journal.
Gene Weingarten was rooting around in the past and came up with a 400-word essay I wrote for Tropic Magazine in the “Calendar Issue” that ran the last Sunday of the year in 1986. This was a gimmick issue, where we had full page calendars accompanied by a piece of art and a short essay [...]